After the Sandinista government took power in Nicaragua in 1979, its reform of the education system included expanding the country’s schools for the deaf. The schools’ methods had been harsh and broadly ineffective, consisting of drilling the children in lip-reading and spoken Spanish. But eventually – simply by bringing previously isolated deaf children together – they generated an unexpectedly positive side-effect.

Largely, the children had been living with hearing relatives, and had had no opportunity to communicate with other deaf children. Brought together, however, they pooled the makeshift gestures they had used at home. What resulted was a usable jargon that was all the children’s own. When new groups of deaf pupils arrived at the schools – their minds ripe for natural language-learning – they took the jargon of the older children and turned it into a fully-fledged, expressive language. Now known as Nicaraguan Sign Language, or Idioma de Señas de Nicaragua (ISN), this was the type of language, according to the Harvard psychology professor Steven Pinker, with which “a child can watch a surrealistic cartoon and describe its plot to another child”. It is a language that can be used in poems, jokes and life histories, one that “is coming to serve as the glue that holds the community together”.

Read the rest here.

This is just a quick post to prove I still exist, and its theme is funny drawings on the web. I keep getting sent links to xkcd – this one cracks me up. And here’s a link to my favourite gaping void strip of all time.

And if you’re coming to this blog simply to find out where my writing is appearing, you should be looking here and here.

I’m pleased to announce that as of 15 January next year, I’ll be joining the Open Rights Group as their new Executive Director!

Suw Charman, ORG’s outgoing Exec Director, has just posted the announcement on the ORG website. I’m looking forward to working with her, ORG’s Ops Manager Michael Holloway, and the incredibly diverse and talented group of people who make up ORG’s board, advisory council and army of expert volunteers.

It’s a big year ahead for digital rights. ORG scored a massive success with their Release The Music campaign against the extension of copyright terms in sound recordings, but this recommendation will need pursuing in Europe, where the music industry has vowed to take its rhetoric next. And there’s a lot more going on which requires the scrutiny of the digital rights community – like the e-voting pilots scheduled for this year’s local elections in March.

Of course, joining ORG means I’ll be leaving my post of Technology Director at openDemocracy. I’ve had a great two years there – watching the website go from strength to strength and working to build and launch a sister website, ChinaDialogue. I’ll miss the friends I’ve made there, they’re some of the most dedicated and talented people I’ve ever worked with. I wish them all the best of luck in continuing to develop what I believe is a worthwhile and necessary exercise in political analysis on the web.

I’ll still be writing my columns for openDemocracy and the New Statesman. All in all, it’s going to be a pretty busy year – I’m looking forward to it already.

“‘Look at the debates that there have been on intellectual property since the arrival of the internet. They have been loud and shallow. They have been between people who say everything’s free and you shouldn’t pay for anything and people who say everything’s mine, and you should pay for everything. And actually neither of them are right.’ Andrew Gowers is sitting in a back room of the British government’s vast Treasury building. It’s just a few hours after the launch of his year-long review of the framework governing intellectual property, a text he hopes will change the nature of the debate not just in Britain, but internationally.

“The Gowers Review of Intellectual Property has been broadly welcomed by copyright campaigners…”

Read the rest here.

As a precursor to the report, my column in openDemocracy asks whether the government will go with Gowers’ leaked recommendation, that copyright on sound recordings remain at 50 years.

“The review has attracted submissions from the British Library to the National Union of Journalists, from digital-rights campaigners to the Open Rights Group to recording industry representatives the British Phonographic Institute (BPI). All in all, around 500 individuals and organisations submitted evidence to the review, a figure widely believed to have set a record for submissions to any independent review commissioned by the UK government.

“Why has there been so much interest? Perhaps because, until this point, there has been no effective, accessible forum for debating IP in the UK – or indeed anywhere. “The sense that democratic dialogue is failing on this topic is a serious one”, write Kay Withers and William Davies of the Institute for Public Policy Research in their recent paper Public Innovation, concluding a nine-month research project into the UK’s current intellectual-property framework. Gowers, it seems, opened the doors to such a dialogue. How his review is interpreted by government later this week will be crucial…”